I came back armed with a list of films
I wouldn't mind seeing again
The Usual Suspects
On the Waterfront, Casablanca
Because there's no way two people
can sit and write poems together
over popcorn and cans of Ringnes
and in the window of a long weekend
I have sworn allegiance to port cities
Here is a poem called Poem for Beggars:
scatter!
The girl digs heels in at this,
a boat in dry dock
She has had better and can wait
On the waterfront two days later
she catches sight of an act of cannibalism
a herring gull puking in reverse
There it is, she says, there
is your poem, you have what you came for
now go, before you miss your flight
Monday, 16 July 2012
Monday, 9 July 2012
The Invention of Poetry
When the scream dies
there is nothing left:
not the letter x or a windblown tree
only men riding
in the black back seats
and women draped over bonnets
habitually
It can happen, say, at 25
or at 19
but it's not like a typical urban suicide
it can happen out on dusty roads
or wet roads
I came up with a ghastly invention
and saddled it with matter
Watch the poet, don't listen
His feet are moving on the stage
like someone who lurks beside
wet roads
his hands are shaking but that was years ago
I lived in a house with my mother and father
I brought old women back
Holy fucking shit
My mother and father invented poetry
in the 1970s
every single liberal or Neil Young fan
invented poetry in the 1970s
So the women who employ the girls
who serve me with coffee
have all experienced the vital terrifying death
Poetry is a thing that wipes memories
You must wear dark glasses and leather
and learn to drive or open your legs
It is the only way to survive
when the last scream
has uprooted trees and fucked everything
there is nothing left:
not the letter x or a windblown tree
only men riding
in the black back seats
and women draped over bonnets
habitually
It can happen, say, at 25
or at 19
but it's not like a typical urban suicide
it can happen out on dusty roads
or wet roads
I came up with a ghastly invention
and saddled it with matter
Watch the poet, don't listen
His feet are moving on the stage
like someone who lurks beside
wet roads
his hands are shaking but that was years ago
I lived in a house with my mother and father
I brought old women back
Holy fucking shit
My mother and father invented poetry
in the 1970s
every single liberal or Neil Young fan
invented poetry in the 1970s
So the women who employ the girls
who serve me with coffee
have all experienced the vital terrifying death
Poetry is a thing that wipes memories
You must wear dark glasses and leather
and learn to drive or open your legs
It is the only way to survive
when the last scream
has uprooted trees and fucked everything
Saturday, 30 June 2012
Edvard Munch's Madonna
A few days ago I ordered a cheap print of Edvard Munch's Madonna and today it came in the post. I took some time getting it out of the cardboard tube, relishing the potential creative inspiration it would give me. I thought that my thoughts on seeing the poster would be, like the painting, divine, pure and honest on one hand and modern, willful, strange and passionate on the other. But when I unrolled the Madonna I thought first of Madonna, the singer, and this made me think of the music video of hers which involves a bullfight, and this made me think of Hemingway, writing his balls off about bullfighting, and Hemingway made me thing about the Deux Magots, where he did a great deal of writing, and this in turn made me think about my impending trip to Paris, which I am looking forward to but am also somewhat apprehensive about because it will cost me a lot of money and I haven't got a lot of money - I am essentially poor, certainly too poor to make a habit of buying art prints just so that I can look to them for inspiration.
The Poet Geoffrey Hill and the Poet Jeremy Prynne
In a city - let's say Cambridge; in fact, let's pick somewhere more neutral, Coventry for example - the supporters of the poet J.H. Prynne decided to erect a giant statue of their hero, a statue that would dwarf the city's cathedral, a bronze statue with a high forehead and an unfathomably muscular torso. Of course, when the supporters of the poet Geoffrey Hill heard about this they decided to erect a similar statue, also in Coventry, to match the gigantic statue of the poet J.H. Prynne.
The tall statues faced each other over this cowering city that had been destroyed and rebuilt comparatively recently. The opposing factions were proud of their statues, but they were also envious of each other. Of course, arguments broke out, then the odd limp-wristed skirmish, and after a while, without knowing how it had happened, the two groups of poetry-lovers discovered that they were officially at war.
Nothing happened for a while, but what could have happened was this: a renowned wise man - the type that still existed in the Midlands at the turn of the century - came to the city and called a meeting between the leaders of the two groups. In his wisdom he told them to give up on their bitterness and envy and learn to like, or at least to appreciate, or at the very least to respect, the poetry of the opposition.
Of course, the berserk captains of the factions fell upon him and destroyed him as he attempted to leave the cathedral. Their bloodlust was sated; they forgot their poetry and went back to teaching creative writing classes.
But that didn't happen. The war is still going on, though no-one has yet died. On the upturned palm of the poet Geoffrey Hill sits a sniper, his rifle trained through a crack in the poet Geoffrey Hill's fingers onto a spot somewhere on the poet J.H. Prynne's groin, where it is believed there is a secret door, behind which the supporters of the poet J.H. Prynne are said to be hatching a plot, although no-one knows what this plot might be.
Tuesday, 10 April 2012
Ironing is Equal To or Greater Than Jazz
He is in the living room, writing and listening to a critically acclaimed jazz record from the mid-1960s. She is in the kitchen, ironing and watching a popular primetime hospital drama on her laptop. During the short periods of silence between tracks he can hear the programme through the closed door – they have a cheaply rented flat and the doors are thin, little more than plywood. After a while he becomes aware that she has turned the sound up on the hospital drama – he can hear dialogue through the quiet parts of the compositions. A nurse says, ‘Ready?’ and a man groans. Another nurse is chatted up and then threatened by a doctor, and so on. At one point during a searing trumpet solo he hears a screech of tyres and the sound of glass smashing. He is a little annoyed, as she has told him that the reason she is using the kitchen rather than the living room is to give him some peace and quiet while he works. ‘Peace and quiet’ was the exact phrase she used. He thinks he would be well within his rights to go and ask her politely to turn it down, particularly when over the top of a lengthy, trumpet-led ballad he can hear people being dragged from wreckage, the wheels of stretchers on concrete, screams of jobbing actors. But he doesn’t get up. It’s not really distracting him that much. He has nearly finished the first draft of a short story and doesn’t want to interrupt his flow with the mild altercation that would inevitably follow if he were to speak to her. And, he thinks, if he can hear her TV programme, she can probably hear his jazz, and would therefore be equally entitled to ask him to lower the volume. Besides, he is writing and she is ironing. She is ironing his shirts for work because he can’t make enough money from writing to enable him to quit his crappy job, and he is writing a short story in which she appears as a character. These facts instantly give her the moral high ground. He thinks, what kind of person would do that? What kind of person would ask his girlfriend to turn the sound down so that he can listen to a once ground-breaking but now slightly anachronistic jazz recording whilst she is ironing his clothes and he is using her against her will?
Friday, 24 February 2012
Im Visits the North Pole - excerpts
Im throws open
windows
so that any
sunlight trapped
can escape before the year
turns dark and small
*
Of course Im encounters
death every day.
She removes a glove
to stroke a live
damp nose –
a huge husky perhaps
*
Between sheer walls
a joust
of narwhals
whisk through icing
*
Im lurks below
the treeline.
Everything is fur
and bristle and ire
– cries of owls, irks.
In the starkness of
perpendicularity
Im inspires a religion
of trees
whose spires
seek to bend
whose dead
limbs and needles
are her pyres
*
There is another.
Im salutes a furred
human face
over tundra,
young and
unfolded.
A moon
inside a boat.
He traverses the rink
of tundra. Im
writes her name
in the snow, sees
a bare tree
and two mountains.
windows
so that any
sunlight trapped
can escape before the year
turns dark and small
*
Of course Im encounters
death every day.
She removes a glove
to stroke a live
damp nose –
a huge husky perhaps
*
Between sheer walls
a joust
of narwhals
whisk through icing
*
Im lurks below
the treeline.
Everything is fur
and bristle and ire
– cries of owls, irks.
In the starkness of
perpendicularity
Im inspires a religion
of trees
whose spires
seek to bend
whose dead
limbs and needles
are her pyres
*
There is another.
Im salutes a furred
human face
over tundra,
young and
unfolded.
A moon
inside a boat.
He traverses the rink
of tundra. Im
writes her name
in the snow, sees
a bare tree
and two mountains.
Friday, 3 February 2012
Im Visits the South Pole - excerpts
Im listens for the babble
of internal organs, hers –
hearts, hot intestines
and suchlike.
Her bones are the ice
sculptures of Erebus
*
The sun a ring
– tambourine and cornet
the salt snow bakes.
A crust
and a cauldron
cone and rotunda
belly of breath
Im skims off –
fat off milk
*
Im plays at witching
forges molten snow
into a cat-shape
a grotto, grove of folded
paper animals, Im speaks
with her fingers
to annihilate them
unfold
*
A fold is an irrevocably
straight line
where white sheep live,
Im thinks
*
Snow like sand. Im
luxuriating, eyes closed,
loses her toes in it
of internal organs, hers –
hearts, hot intestines
and suchlike.
Her bones are the ice
sculptures of Erebus
*
The sun a ring
– tambourine and cornet
the salt snow bakes.
A crust
and a cauldron
cone and rotunda
belly of breath
Im skims off –
fat off milk
*
Im plays at witching
forges molten snow
into a cat-shape
a grotto, grove of folded
paper animals, Im speaks
with her fingers
to annihilate them
unfold
*
A fold is an irrevocably
straight line
where white sheep live,
Im thinks
*
Snow like sand. Im
luxuriating, eyes closed,
loses her toes in it
Subscribe to:
Posts (Atom)