Friday, 25 March 2011

Moyamoya

The spark of a single wasp and the aura
of dozens: a heaving hypnotic nest. She’s slow
to realise, then slow to move away
but she doesn’t get stung. The park

has announced her. Shifted, it settles.
She rubs her neck and I think of the geese
on the lawn, and gavage. The rowdy geese
pollinate the lawn with feathers. The pond

is lumpless. Her blood drips slowly upwards.
She tells me the name of her disease
and what it means: Japanese for a puff
of smoke, or a wisp, she says, smoking,

but I can’t think of wisps without thinking
of dancing points of light and quickness.

Sunday, 20 March 2011

Gliders Above Uley

The dialogue that sound always is
is the tug the here of the orange
plane and its unshot glider behind –
the wind stretched cutting turbine
uprooted and stiff in pallid rocking
skysick sky. Above the health and
punch of sparrows the beery hill and
rooks and the static now flung glider
cut off and. Sky a silence. Often parts
flow: a pool into another and the paper
glider stuck in a dam made by children.
A broken cross, and all that implies:
first and foremost symbol of. (Which
isn’t the same as disquiet) silence. Then
calm, magnanimity, freedom but
the unsilent rough and ruffle of wings
is wind made by speed, and this way
like the flower turbine. Patternless
sky grows millions of fault lines may
be in the eye but are not clouds but
are reflections of earth could be sound.

Saturday, 12 March 2011

Saturn

(after W. G. Sebald)

On small hills where the rings are broken
and by trees. Un-switched-on lighthouses
demobbed and stiff in black pools where
there is an orbit of moony crabs. Surely
that can’t be light from a boarded-up
hotel. A circle – a perfect maze (and we know
from science that a blindfolded man can’t walk
in a dead straight line.) Sulphuric rain
has destroyed these lips. Trout and elm
also. And blinded statues. Things on stilts
must keep moving. Curlew; houses. Rot is
the only alternative where heatless alchemy
turns everything to gas, and goshawks
are still crucified: a limited alphabet of ‘X’s
and ‘T’s decorating blank spinneys and unstraight
defective groynes.

Thursday, 10 February 2011

River

i
Two-backed, turned-
in-on-itself. A lip.
Duct. Clipped rushed

breaths over troughs
where dippers walk
cinclus cinclus

familiarity lost
in the song of name.
The twelve-digited

ii
weir a duodenum,
a conduit of rude
chyme. A film

on the surface.
Thick as a holly
leaf. The surface of

what? Whisper
it. The paper
or the celluloid,

iii
magpie images are
words, and words.
Somewhere

is a duplicate
of this river,
in three dimensions.

Bellows of lock-
gates. Rust of
water. Drip-

iv
drip of ducks.
In time faces
may be revealed,

but here in
the original,
the type that is

motionless.
Fated to be
static.

Tuesday, 11 January 2011

A Challenge to Piotr Wozniak

You cannot learn paths
by incremental reading alone –

at least not the paths that change
before maps can be born – spaced

repetition doesn’t work in the woods
and can’t account for circles,

for walking in circles. In Sidmouth
one year we both danced a six-time

Breton dance that wasn’t altogether
a circle but still didn’t end or begin

in anything but an empty hand –
an un-ouroboros, a snake that has freed

its own tail and is lost. When, shitfaced,
I couldn’t find my way back and pitched

an invisible tent in the red lee
of Salcombe Hill, the mapless spiral

sea apportioned blame percussively,
and according to the exponential nature

of forgetting.

Saturday, 8 January 2011

After Charley Harper’s Twowls (Two Snowy Owls Perched Together)

Audubon’s are slow and moony,
big-breasted and restful ghosts
of Rubens’s ladies, slippered
and jaundiced, no more alive
than when they were painted.

Perky urns, Harper’s. His and hers
hearts. Unskittled skittles weighted
with a symmetry of snow, three-
eyed. Two Russian dolls
that cannot fit inside each other.

Friday, 7 January 2011

Famous Deaths of 1992

Ten. Said, ‘doc, I think I have
idiopathic pleurisy. Nothing
gets past these tiny lungs,
they’re infallible filters.’

‘Champion’ Jack Dupree
(or ‘Harelip’ to his friends)
had ten mini fists for fingers.
Stef Sargent was different,


The drain of, not of mortality
but the idea that panic
and prettiness could cease
to be observed (which was

she had syringes for fists
and pumped them ever
slower, slumped under
a shower. Mr Magoo (or at least


a good idea, but not one
I liked) first gaped at me
In 1992. Deathlessness
at the age of ten is this:

the man who made him
blind) died that year
too, reconciled with the family
of the Peter Pan Nazi


Standing over the stream
that fed the reservoir, pulling
down your trousers and smugly
pissing, knowing that the Poles

who paid him in frowns
and in spite. In D.C. Zoo
Ling-Ling’s gigantic black-
eyed kidneys turned to stone


used magic to poach carp
from under the pissy water
for their Christmas dinners.
I didn’t think then that

and panda diplomacy died,
whilst in a Southampton
cemetery Benny Hill’s bones
were moved by bandits


knowledge of death
would involve writing
a poem about the dead
guitarist from 7 Year Bitch.

who found nothing
but the echo of a laugh
that could have been a cough,
and two shrivelled kidneys.